The Emperor Norton Trust

TO HONOR THE LIFE + ADVANCE THE LEGACY OF JOSHUA ABRAHAM NORTON

RESEARCH • EDUCATION • ADVOCACY

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The Ferry Building Clock Tower from Emperor Norton's Street

The best-known vista of the 245-foot-tall clock tower of the San Francisco Ferry Building is from along Market Street, looking northeast.

The best-known street vista — but not the only one.

The clock tower also rises as the eastern visual terminus of Commercial Street.

On today’s Commercial Street, the tower is most readily seen from the 2-block stretch between Montgomery Street to the east and Grant Avenue to the west. This is the stretch adjacent to, and near, the former site of 624 Commercial between Montgomery and Kearny Streets — where Emperor Norton lived from 1864/65 until his death in 1880.

The view of the Ferry Building clock tower from here is one reason why The Emperor Norton Trust has proposal that the tower be named Emperor Norton Tower. You can read our proposal and commentaries by clicking the Learn More button at EmperorNortonTower.org.

Click through for a series of seven views of the clock tower photographed from the 7-block stretch of Commercial Street between Drumm Street and Grant Avenue during the first half of the tower’s 125-year life-so-far — the period between c.1900 and 1960.

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Emperor Norton vs. the Rev. Mr. Hammond

Edward Payson Hammond was a celebrity preacher — a Billy Graham of his day.

Today, Hammond is much less well-known in the annals of American religion than his crusading contemporary, Dwight Lyman Moody.

But, in the 1860s and 1870s, E.P. Hammond was a phenomenon.

In February 1875, Hammond brought his traveling revival road show to San Francisco for what turned out to be a two-month stand.

To get preaching gigs like this, Hammond claimed to produce hundreds — even thousands — of “conversions” everywhere he went.

To gin up these numbers, Hammond’s stock-in-trade was badgering tiny children into believing that they were evil sinners in danger of hellfire.

Emperor Norton was not down with this — and, he found a way to say so in a Proclamation that was published on both sides of San Francisco Bay in March 1875.

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The Pantheonic Statuette of Norton I

It’s well known that souvenir photographs and lithographs of Emperor Norton were sold in San Francisco shops during the Emperor’s lifetime.

Norton biographer William Drury takes it considerably further to claim that, by the early 1870s, there was a whole cottage industry of “Emperor Norton statuettes, Emperor Norton dolls, Emperor Norton mugs and jugs, Emperor Norton Imperial Cigars” — and even that there were peddlers hawking Emperor Norton merch at his funeral.

I find no evidence to support much of what Drury asserts — but…

In 1877 — a couple of years before Emperor Norton died in 1880 — a German immigrant jeweler and sculptor in San Francisco created a highly accomplished statuette of the Emperor that deserves a much closer look than it has received.

Although there is no ready evidence that this nearly-two-foot-tall statuette was sold in shops, there is evidence to suggest that it was a fixture in San Francisco saloons — and even that the Emperor himself had a copy in his apartment.

Among other things, I document here the three known copies of the statuette and offer a glimpse into the life and work of the sculptor.

There even are cameo appearances from historians of Ancient Rome and the Oxford English Dictionary.

It’s a fascinating story, previously untold.

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A Funeral Cortege "Two Miles Long"? Not Really.

In his 1986 book Norton I: Emperor of the United States (Dodd, Mead) — long regarded as the “standard biography” of Emperor Norton — William Drury indulges in some evidentiary sleight-of-hand to create the false impression that the cortege that followed the Emperor from his funeral site to his grave site was “two miles long.”

In the decades since the publication of Drury’s book, this “cortege claim” has become one of the most commonly deployed flourishes in the popular telling of the Emperor Norton story.

In fact, the most reliable and detailed eyewitness report published the day after the Emperor’s funeral indicates that, while the cortege route was about two miles long, the length of the cortege itself was maybe a half-block.

Also included here: The origins of the claim that “30,000” people viewed the Emperor lying in state — or even constituted the cortege — rather than the already-exceptional “10,000” reported the next day.

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Emperor Norton Abolished the Democratic and Republican Parties — Twice

Students of Emperor Norton are familiar with his August 1869 Proclamation to “abolish and dissolve the Democratic and Republican parties.”

The Emperor Norton Trust has uncovered a previously unreported second Proclamation, from September 1876, in which the Emperor commands “the dissolution of the Republican and Democratic parties” — although for different reasons than he gave in 1869.

This second Proclamation further reinforces Emperor Norton’s longstanding antipathy to the major parties and to the U.S. party system — a posture which led Joshua Norton to declare himself an “independent candidate” for the U.S. House of Representatives in 1858 and to deliver a brief speech at a public “No Party” forum in 1875.

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Emperor Norton as an Artist’s Model

Addie Ballou is best known now — where she is known at all — as a women’s suffrage crusader, a rather bad poet, and a (probably overconfident) lecturer on any of the subjects she was game to talk about for an hour to any group who asked, provided they had a room and a podium.

But, Ballou also had a brief career as a minimally trained portrait artist.

A certain conventional wisdom holds that, in 1877, Emperor Norton sat for a portrait painted by Ballou — and that this is the only such portrait the Emperor ever sat for during his lifetime.

As ever with Emperor Norton, though, a look under the hood reveals that things probably are not quite as we’ve been led to believe.

Read on for some newly uncovered details about old art associations.

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The Last Proclamation of Norton I?

On 24 January 1880, a newspaper in Maine published evidence of an edict that Emperor Norton issued two weeks before his death on January 8th — but that was published the day of his funeral on January 10th — by a surprising source.

Read on for the story of our fascinating discovery — a discovery that raises many new questions! 

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The Time Emperor Norton Was a "Pepper" Too

On Christmas Eve 1862, at the Royal Polytechnic Institute, in London, the Institute’s director, John Henry Pepper, debuted his theatrical refinement of a reflection illusion that came to be known as “Pepper’s ghost.”

The sensation had made it to the United States by the early 1870s — probably initially being performed as a sideshow attraction.

But, on the evening of 26 December 1879, the resident company of the Metropolitan Theater in Sacramento, Calif., used what they called “the Pepper Mystery” to dramatize the Emperor Norton.

It was a commonplace in the 1860s and ‘70s for theater troupes in San Francisco and elsewhere in California to burlesque the Emperor for laughs. But, it seems as though this performance might have been a little different.

Did members of the audience at the Metropolitan all slap their knees at the sight of an ethereal Emperor Norton on the stage? Or did some shed a quiet tear for the passing of an era that too quickly was slipping through their fingers?

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Beinecke Library and The Emperor Norton Trust Partner to Correct Description of Carte de Visite

At the suggestion and request of The Emperor Norton Trust, the Beinecke Rare Book and Manuscript Library at Yale University has corrected its description of a carte de visite photograph by Jacob Shew that was misidentified as being possibly of Emperor Norton.

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The Sporting Emperor Norton

Emperor Norton tried his hand at riding a bike — roller skating — even jumping rope.

Later, the Emperor was a regular attendee at everything from horse races to endurance walking marathons to wrestling tournaments.

Here’s a first effort at documenting an underappreciated “sporting” thread in the Emperor’s story.

This includes:

  • many new details about known episodes (velocipede; skating), 1869–72

  • several new episodes, 1873–79

Also includes documentation of what may be the last reported sighting of Emperor Norton.

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Did the Social Drinker Emperor Norton Close Out as a Teetotaler?

By reputation, Emperor Norton did not drink much. But, he did enjoy the occasional tipple — especially if he was being treated, perhaps by a well-wisher at one of the free-lunch taverns that he often frequented.

Indeed, the Emperor issued at least one Proclamation, in 1874, that called for abstaining from "ardent spirits, as a beverage, except only for medical purposes," and that banned the manufacture, import and sale of these spirits” — but that drew a careful distinction between “ardent” liquor and “malt liquors for the working man, and ‘wine for the stomach’s sake.’”

But, in January 1879, with the temperance movement growing ever more insistent on complete abstinence, with no exceptions or carve-outs, the San Francisco Chronicle reported that Emperor Norton signed an abstinence pledge.

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The "Eyes of the Emperor" in 1879

The Emperor Norton Trust previously has documented 16 Proclamations of Emperor Norton on various aspects of “the Chinese question” — the latest being published in April 1878, just 2½ weeks before the Emperor’s highly publicized sand-lot encounter that month with the anti-Chinese demagogue Denis Kearney.

But, we’ve discovered three new pieces of evidence, from 1879, indicating that — for nearly 2 years after his encounter with Kearny, and right up until his death in 1880 — the Emperor continued to make good on his 1873 pledge and warning that “the eyes of the Emperor will be upon anyone who shall council [sic] any outrage or wrong on the Chinese” [emphasis in the original].

This evidence includes:

  • a second encounter between Emperor Norton and Denis Kearny, in January 1879, in which Kearney snarkily addressed the Emperor from his sand-lot platform;

  • an anti-Kearney public comment by the Emperor on the same day, at one of the freethinking, reform-minded discussion forums he regularly attended — a discovery that provides an opportunity to add a pin to the Trust’s interactive Emperor Norton Map of the World; and

  • a September 1879 editorial comment in the Sacramento Daily Bee, bearing witness to the Emperor’s ongoing reputation as what the Bee disparagingly called “Protector of China”

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Emperor Norton at Swimley's

Joshua Norton made many visits to Sacramento in the early 1850s.

But, after declaring himself Emperor in 1859, his first imperial visit to California’s capital was in December 1863.

By 1863, Emperor Norton already was becoming a legend.

And, on this 1863 visit, he is reported to have dined at a restaurant run by someone who was becoming a legend of his own.

The restaurant was the Cincinnati. The proprietor was William Swimley. And the eatery — known locally as “Swimley’s” — was half-way through a 20-year run as “oldest, neatest, best and cheapest” food spot in Sacramento.

The building where Swimley’s was located from c.1861 until its closing in 1871 occupies a fascinating place in the history of early Sacramento.

In the course of researching this wonderful story, we’ve found evidence that the building is older than has been believed.

Deep documentation and rare photographs included.

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Lewis Wharf, Boston's Gateway to Joshua Norton's New World

When Joshua Norton arrived in Boston on 12 March 1846, the packet ship Sunbeam that had carried him from Liverpool docked at Lewis Wharf.

Probably the first structure that Joshua saw when he stepped off the ship was the wharf's market building — an impressive, long, 4-plus-story gabled edifice of timber and local Quincy granite that had been built ten years earlier, in 1836.

Although no longer being put to the same uses that it was in the 1830s and '40s, that signature building still stands on Lewis Wharf — and perhaps is the only non-California place in the United States that the once and future Emperor is documented to have passed through.

Read on for a brief but richly illustrated history of Lewis Wharf and its signature building — including the wharf's deep ties to one of the most legendary figures in the American Revolution and the founding of the United States of which Joshua Norton declared himself Emperor.  

Plenty of documentary goodies here: Engravings, photographs, plans, maps and newspaper clippings from 1772 to the present.

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Emperor Norton Arrives on the Great White Way

The Emperor Norton character had only a few lines — but, the lines he had were good ones.

Both the character and the lines arrived on Broadway courtesy of one of the most influential theater collectives of the twentieth century.

Today, Lee Strasberg, Clifford Odets, Elia Kazan, Stella Adler and Sanford Meisner are household names to students of the American theater. Their legacy approach, “the Method,” and their legacy project, The Actors Studio — founded in 1947 — is known to millions.

But, in 1934, when these playwrights, directors and actors — and their Group Theatre — brought their play Gold Eagle Guy to Broadway, they were unknowns.

It appears that the Broadway production of Gold Eagle Guy marked the first time that Emperor Norton was portrayed on a Broadway stage.

The Emperor was played by Stella Adler’s brother, Luther Adler.

The fascinating story of this play — and of how the character of Emperor Norton gave voice to ideas expressed in the recently published Brave New World, by Aldous Huxley — is on the flip.

Includes archival Playbill images; an early cartoon by Al Hirschfeld; and a wonderful rare live-stage photograph of the Broadway production of Gold Eagle Guy, showing Luther Adler playing Emperor Norton.

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The Pro-Vaccination Emperor of 1869

Documentation is elusive for those Proclamations of Emperor Norton that were published in the mid to late 1860s — the period in between (a) the few years after Joshua Norton declared himself Emperor in 1859 and (b) Emperor Norton’s adoption of the Pacific Appeal newspaper as his “imperial gazette” in late December 1870.

So, it’s gratifying to have discovered a “new” Proclamation from this period — especially one that

  • has resonance for our current public health crisis brought on by COVID–19; and that

  • adds to the body of evidence strongly suggesting that Joshua Norton thought of himself as being Emperor long before he declared it publicly in 1859.

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Joshua Norton at the Transamerica Pyramid

For some 35 years, students of the Emperor Norton story have followed William Drury’s account, in his 1986 biography of the Emperor, of the events surrounding Joshua Norton’s declaration of himself as Emperor on 17 September 1859.

According to Drury: George Fitch was editor of the San Francisco Daily Evening Bulletin on that day. Fitch’s office was in an upstairs room at 517 Clay Street. Joshua Norton marched his Proclamation into Fitch’s office that morning, and Fitch published it that afternoon.

But, that’s not how it went.

The Bulletin didn’t have an outpost on Clay Street until 1861. In 1859, the paper’s only offices were on Montgomery Street — on a site now occupied by the Transamerica pyramid.

And: Although George Fitch was a partner at the Bulletin in September 1859, he didn’t emerge as “the editor” — as the one with the power to decide what would and would not be published in the paper — until later.

That power resided with the person who actually was the editor on the day Joshua Norton appeared: James W. Simonton.

Read on for another course correction from The Emperor Norton Trust.

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Is the Clock Tower of the San Francisco Ferry Building Based on the Bell Tower of a Cathedral in Spain?

In connection with The Emperor Norton Trust’s recent proposal that the San Francisco Ferry Building’s clock tower be named “The Emperor Norton Tower” next year — the 125th anniversary of the Ferry Building — we’ve been doing some additional research into the design and construction of the building and its tower.

The Ferry Building opened in 1898, and one of the chestnuts that has been repeated about the building for most of its lifetime — increasingly so in the period after World War II — is the claim that the design of the clock tower is “based on” — or “modeled after” — or “patterned after” the 12th-century bell tower, known as La Giralda, of the Seville Cathedral in Spain.

Some commentators have gone so far as to say that the Ferry Building clock tower is a “replica” of the Giralda.

But, the historical and visual record reveals the Ferry Building tower’s architectural debt to the Giralda to be significantly less than these unqualified claims suggest.

Read on for a well-documented, highly illustrated deep-dive.

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The Mixed Economy of the Eureka Lodgings Building of Commercial Street

When one reads that Emperor Norton lived in "the Eureka Lodgings" at "624 Commercial Street," it's tempting to imagine that the Eureka was in a building with one address and one use — and that the Eureka was it.

In fact: There were two buildings on the Eureka site between c.1850 and Emperor Norton's death in 1880, with the Eureka building arriving in 1857. Both buildings had three addresses and a variety of business tenants — with the second of the two buildings hosting the Eureka and two previous hotel/lodging establishments that each occupied only a portion of the top two floors.

At various times during the 1860s ― including while the Emperor was living here between 1864/65 and 1880 — the second building was home to some of the best-known and -respected businesses in early San Francisco history.

Both of the buildings on the Eureka site were located between Montgomery and Kearny Streets, with frontages on both Commercial and Clay Streets.

What follows is, we believe, the first published attempt to establish a "tenant timeline" of the Commercial Street frontages of these buildings between c.1850 and 1880.

Read on for some fascinating history — and some terrific advertisements!

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Emperor Norton’s Residence, the Eureka Lodgings, Was Not Located (Exactly) Where You Think It Was

Over the last 25 years or so, a consensus has emerged among those attuned to San Francisco history — and particularly among Nortonophiles — that the former site of the Eureka Lodgings — where Emperor Norton is documented to have lived between 1864/1865 and his death in 1880 — is the privately owned public open space (POPOS) known as Empire Park, located at 642 Commercial Street between Montgomery and Kearny Streets.

That's been the consensus.

But, a careful analysis of two key bodies of evidence — (1) photographs of this stretch of Commercial Street taken between 1877 and 1906, and (2) Sanborn fire insurance and official San Francisco block (property) maps from the generation or two before and after the earthquake and fires of 1906 — reveal the Empire Park designation to be mistaken.

The Eureka Lodgings was located on Commercial Street between Montgomery and Kearny — just not on that site.

In the attached deeply researched and documented — and extensively illustrated — article, I provide:

1) Confirmation — for the first time, I believe — of the visual ID of the Eureka Lodgings building, using photographs from during and after Emperor Norton's lifetime. (Don’t miss the fabulous detail in these new hi-res scans from 1878, c.1892–94 and 1906 — worth the price of admission!)

2) A new location for the former site of the Eureka that better accords with the historical record.

It's a deep dive — so, pull up a chair!

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